Domenica, 21 Ottobre 2018

Erotic comics icon, 'Valentina' creator, shines on


(By Christopher Livesay)
Milan, June 21 - There's more to the respected
cartoonist Guido Crepax than his famous sultry heroine
Valentina, according to the Royal Palace of Milan.
Now through September 15, 10 of the most beautiful rooms
inside the palace-turned-exhibition center are devoted to the
full array of his work, from advertisements, and album artwork
to book covers, journals and set designs.
The exhibition, Guido Crepax: Portrait of an Artist, covers
some 90 displays, with each room devoted to its own theme.
One touches on his relationship with his hometown of Milan,
for instance, the setting for many of Valentina's adventures.
Another focuses on 'Valentina and the Others', from his
most iconic femme fatal to the lesser-known Bianca, Anita,
Belinda, Giulietta and his last character before his death in
2003, Francesca.
There is also a room devoted to his eye for the times, as
revealed in his wardrobe choices in his comics that reflected
contemporary fashion.
As for the book-covers room, his noirish touch is in full
stride on novels such as Bram Stoker's Dracula, Mary Shelley's
Frankenstein, Robert Louis Stevenson's Jekyll & Hyde, as well as
an array of works by Edgar Allen Poe and Franz Kafka.
The launch of the exhibit marks Valentina's entree to
e-books, with the first of her 100 titles now available on
Kindle, soon to be followed by the other 99.
"We had been thinking of a digital version of the Valentina
saga for a long time," said the cartoonist's son Antonio Crepax,
joined by his siblings Giacomo and Caterina at the opening this
Crepax was born on July 15, 1933, in Milan.
In 1959 he began designing the front cover of Tempo
Medico monthly, the first magazine to publish his comic strips.
His big break came in 1965 when he joined legendary
Italian comic book Linus, where he invented his trademark
character almost by accident.
"He started with a strip about an art-critic investigator
called Rembrandt whose girlfriend was Valentina," according to
the magazine's founder Giovanni Gandini.
"A few months later we gave the heroine a strip of her
own. She quickly became a big success for Crepax both in
Italy and abroad. He fully deserved it".
Valentina, famed for her distinctive bob hair style,
slender figure and fleshy, sensuous lips, was inspired by
American silent film actress Louise Brooks, who Crepax adored.
She is a sophisticated Milanese photographer who lives
in a confusing world of dark forces and erotic fanatasies.
She is pursued by a variety of relentless villains,
including Nazis, astronauts, pirates and leather-booted
Cossacks, all of whom are determined to have sadomasochistic
sex with her.
Given the nature of the subject matter, Valentina
shocked many when she first appeared in Italy's news stands.
Despite being an emancipated modern woman, she nevertheless
angered feminists who objected to the way she was portrayed
either as a damsel in distress or an object for men's sexual
But Crepax insisted that, although his comics were
undoubtedly daring, they never exploited graphic violence or
sank to the level of cheap pornography.
"I have drawn whips, chains and bonds of every kind," he
once said. "But I hate violence, lack of respect towards oneself
and to others, and all forms of excess.
"What interests me more than anything else is that the game
never becomes obscene, that it is never trapped by vulgarity...
There is never one single drop of blood".
Crepax is celebrated by critics for the way he broke both
social barriers and artistic new ground.
He was continually experimenting with the layout of his
stories and often used a bare minimum of dialogue, letting his
graphics speak for themselves.
In one Valentina story, the Magic Lantern, dialogue is left
out completely.
The show in Milan was made possible by the City of Milan
and the Crepax Archive.

© Riproduzione riservata

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